James Hills - Film and TV

The Machine Stopped Working

The Machine Stopped ...

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48hr Sci-Fi Competition sumbission as Focus Puller Dir - Anthony Melton Producer - Ben Franklin DOP- Jonny Franklin Shot on Arri Alexa XT at 2K with Lomo Anamorphic Lenses

‘Blackbird’

‘BlackbirdR...

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Scottish Feature Film as 1st Assistant Camera Dir - Jamie Chambers DOP - John Craine

Serious Swimmers

Serious Swimmers...

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Drama about a recovering drug addict's supervised visits with her son. as 1st AC DOP Annika Summerson Dir Andy Taylor Smith

VW ‘Play the Road’

VW ‘Play the R...

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as 1st Assistant Camera Dir - Ed Sayers DP - Nick Rutter Shot on C300, C500, 5D mk III and GoPro Hero 3 with DJi Phantom

‘Dare’

‘Dare’...

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as Focus Puller 3min Horror for Bloody Cuts Dir - Anthony Melton, Ben Franklin DOP - Jonny Franklin Shot on Red Epic with Arri/Zeiss Ultra Primes

Morcheeba ‘Gimme Your Love’

Morcheeba ‘Gim...

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as Focus Puller Dir - Prano Bailey Bond DOP - Annika Summerson shot on Arri Alexa Plus with Uncoated Zeiss Super Speeds

‘Making Don’t Move’

‘Making Don...

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The 'making of' for the Bloody Cuts short horror film 'Don't Move'

‘Don’t Move’

‘Don’t M...

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as 1st Assistant Camera. Short Horror Film by www.bloodycuts.co.uk 23,ooo hits in its first week of release. Bloodycuts have realeased another cult hit. Dir - Anthony Melton DOP - ...

Behind the Scenes of ‘I am Electric’

Behind the Scenes of...

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A behing the scenes look at the making of the music video for Heaven's Basement's single 'I am Electric'. Shot on Red Epic with uncoated anamorphic ...

‘I Am Electric’ Heaven’s Basement

‘I Am Electric...

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Music Video for UK rock band Heaven's Basement as Focus Puller Dir Ben Unwin DOP Stuart White Shot at 5K on Red Epic with Kowa Uncoated Anamorphics, Movietech Zeiss ...